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・ Symphony No. 2 (Glazunov)
・ Symphony No. 2 (Górecki)
・ Symphony No. 2 (Hanson)
・ Symphony No. 2 (Haydn)
・ Symphony No. 2 (Honegger)
・ Symphony No. 2 (Hovhaness)
・ Symphony No. 2 (Ives)
・ Symphony No. 2 (Liebermann)
・ Symphony No. 2 (Lilburn)
・ Symphony No. 2 (Lutosławski)
・ Symphony No. 2 (MacMillan)
・ Symphony No. 2 (Mahler)
・ Symphony No. 2 (Martinů)
・ Symphony No. 2 (Michael Haydn)
・ Symphony No. 2 (Milhaud)
Symphony No. 2 (Moore)
・ Symphony No. 2 (Mozart)
・ Symphony No. 2 (Nielsen)
・ Symphony No. 2 (Paine)
・ Symphony No. 2 (Penderecki)
・ Symphony No. 2 (Piston)
・ Symphony No. 2 (Prokofiev)
・ Symphony No. 2 (Rachmaninoff)
・ Symphony No. 2 (Raff)
・ Symphony No. 2 (Rouse)
・ Symphony No. 2 (Schnittke)
・ Symphony No. 2 (Schubert)
・ Symphony No. 2 (Schumann)
・ Symphony No. 2 (Scriabin)
・ Symphony No. 2 (Sessions)


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Symphony No. 2 (Moore) : ウィキペディア英語版
Symphony No. 2 (Moore)
Symphony No. 2 in A major is a classical composition by American composer Douglas Moore. It was composed in 1945 and received its premiere in Paris on May 5, 1946 directed by Robert Lawrence. In the following year the American premiere was given in Los Angeles, Alfred Wallenstein directing.
The symphony is Moore's second essay in that form and is dedicated to the memory of Stephen Vincent Benét, who supplied the libretto for Moore's opera ''The Devil and Daniel Webster''. A work of moderate length and a classical conception inspired by Haydn, it represents Moore's fully formed mature style and is unarguably one of his best pieces. Moore himself described it as: "an attempt to write in clear, objective, modified classical style, with emphasis on rhythmic and melodic momentum rather than upon sharply contrasted themes or dramatic climaxes".
It is in four movements, three of which end in a quiet manner. The symphony lasts approximately twenty minutes.
==Movements==


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